Dr. Philippe Mather

Associate Professor of Film Studies

BFA (Concordia), MA (Iowa), DEA, PhD (Paris III)

Office: CM 502
Phone: (306) 359-1229
Fax: (306) 359-1200
E-mail: philippe.mather@uregina.ca

Fine Arts Department Video (Faculty Profile)

Graduate Supervisor Faculty Profile Video


Research Interests

Orientalism, Film Music, Science-Fiction; Stanley Kubrick

Interview with TRT World on Kubrick's photographs


Representative Publications

Stanley Kubrick at Look Magazine: Authorship and Genre in Photojournalism and Film (Bristol, UK: Intellect, 2012).

This book discusses Kubrick’s early work as a photojournalist in terms of his personal development, of the institutional framework of Look magazine, and of the norms and conventions of photojournalism in the 1940s. It also outlines the two-way interaction between the media of film and photojournalism from the late 1930s to the 1950s. This helps to explain how Kubrick came to master certain photographic and narrative skills and develop particular thematic interests which initially gave his photojournalistic work a distinctive quality and then formed the basis for his work as a filmmaker. It is also shown that throughout his long career as a filmmaker, Kubrick consistently referred back to certain aspects of his early photojournalistic work.

Science-fiction et cognition” in Cinémas, Vol.12, No.2 (Winter 2002).

This article seeks to evaluate the scientific contributions of cognitive psychology to genre theory and science-fiction film theory in particular. The science-fiction genre's thematic lexicon is called upon to illustrate the concept of cognitive schemata, as put forth by David Bordwell. Torben Grodal's cognitive theory of emotions is also examined for its potential explanatory value in regards to the science-fiction genre's emotional parameter, estrangement.

“Figures of Estrangement in Science Fiction Film” in Science Fiction Studies, #87, Vol.29, Part 2 (July 2002).

This essay offers a descriptive system intended to address film-specific phenomena in terms consonant with Darko Suvin's analysis of the forms of estrangement found in sf literature. I propose a semiotic analysis of sf film, focusing on a typology of figures of estrangement, conceived as a centripetal relation between processes of alienation and naturalization. My typology of figures is based on Louis Hjelmslev's chart illustrating the structure of the linguistic sign as adapted by the Belgian Mu Group. Since the sf genre's distinctive traits are not tied to medium-specific criteria, I argue that a structural approach can usefully characterize sf film's formal strategies without severing its rhetorical and ideological ties to other forms of sf, including literature.


Current Scholarly Projects

I am currently doing research on orientalism in film, using Singapore as a case study.